Results for 'Institut Valencià D'Art Modern'

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  1. Estrategias de ubicación. Arte colombiano después del arte moderno.Luis Fernando Valencia - 1996 - Estudios de Filosofía (Universidad de Antioquia) 13:89-112.
    El artículo se ocupa de las circunstancias peculiares que identifican el arte colombiano después del arte moderno. Para esto resulta de gran importancia la discusión alrededor del problema del "fin del arte" y su relación con la modernidad, pues es necesario hacer una reflexión filosófica a propósito de la idea del fin del arte para comprender los lineamientos del arte moderno, cuyas concepciones del arte, del artista, del contenido y de la forma, son una de las consecuencias históricas de los (...)
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  2.  32
    Trying Not to Try: The Art and Science of Spontaneity by Edward Slingerland.Paul D'Ambrosio - 2017 - Philosophy East and West 68 (1):298-301.
    Edward Slingerland has been working on notions of spontaneity in classical Chinese thought and modern science for many years. In his newest title, Trying Not to Try: The Art and Science of Spontaneity, he approaches this topic by weaving short anecdotes, recent discoveries in cognitive science, and classic Chinese philosophy into an eloquent tapestry that depicts both the everydayness and paradoxical nature of spontaneous action. The text does not read like many other contemporary academic books: it uses colloquial language (...)
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  3. The institutional theory: A protean creature.D. Matravers - 2000 - British Journal of Aesthetics 40 (2):242-250.
    In 1987 Jerrold Levinson wrote, in a review of George Dickie's _The Art Circle_, that in reading it he felt 'caught in a kind of aesthetic time warp'. I had the same feeling, and indeed have the same feeling when I read papers published since on Dickie's theory. A recent criticism in this journal by Oswald Hanfling is a case in point. To be fair, Hanfling explicit states that he is discussing the 1974 version of the theory rather than Dickie's (...)
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  4.  24
    Philosophy and modern liberal arts education: freedom is to learn. By Nigel Tubbs.D. G. Mulcahy - 2016 - British Journal of Educational Studies 64 (2):261-262.
  5. Heidegger, Art, and Postmodernity.Iain D. Thomson - 2011 - New York: Cambridge University Press.
    Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy, this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines (...)
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  6.  28
    Art and Politics in Roger Scruton’s Conservative Philosophy by Ferenc HÖRCHER (review). [REVIEW]D. N. Byrne - 2023 - Review of Metaphysics 77 (1):149-151.
    In lieu of an abstract, here is a brief excerpt of the content: Reviewed by:Art and Politics in Roger Scruton’s Conservative Philosophy by Ferenc HÖRCHERD. N. ByrneHÖRCHER, Ferenc. Art and Politics in Roger Scruton’s Conservative Philosophy. Palgrave Macmillan, 2022. vii + 404 pp. Cloth, $129.99The intellectual legacy of Sir Roger Scruton defies the conventional wisdom that conservatism is a mood or sensibility rather than a systematic body of ideas. Then, as Hörcher indicates, Scruton was never a particularly conventional thinker. Against (...)
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  7.  7
    Freedom from reality: the diabolical character of modern liberty.D. C. Schindler - 2017 - Notre Dame, Indiana: University of Notre Dame Press.
    It is commonly observed that behind many of the political and cultural issues that we face today there are impoverished conceptions of freedom, which, according to D. C. Schindler, we have inherited from the classical liberal tradition without a sufficient awareness of its implications. Freedom from Reality presents a critique of the deceptive and ultimately self-subverting character of the modern notion of freedom, retrieving an alternative view through a new interpretation of the ancient tradition. While many have critiqued the (...)
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  8.  7
    Post-truth society: a political anthropology of trickster logic.Árpád Szakolczai - 2022 - New York, NY: Routledge.
    It is widely asserted that we are now living in a post-truth society. What that means, this book argues, is that the contemporary global world is thoroughly infested not only with trickster figures but an entire and operational trickster logic; or, that we now live in a Trickster Land - an argument advanced by the claim that in modernity liminality has become permanent; or that modern life is patently absurd. The first part of the book presents a series of (...)
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  9.  6
    Sign Levels: Language and Its Evolutionary Antecedents.D. S. Clarke - 2004 - Springer.
    Since the revolution in philosophic method that began about a century ago, the focus of philosophic attention has been on language as used both in daily conversation and in specialized institutional activities such as science, law, and the arts. But language is an extremely complex and varied means of communication, and the study of it has been increasingly incorporated into such empirical disciplines as linguistics, psycho linguistics, and cognitive psychology. It is becoming less clear what aspects of language remain as (...)
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  10.  11
    Institutions of Art. Reconsiderations of George Dickie'S Philosophy.James D. Carney - 1996 - Philosophical Books 37 (3):218-220.
  11.  48
    Art in the Republic.D. R. Grey - 1952 - Philosophy 27 (103):291 - 310.
    The general thesis which I should wish to sustain on this topic is by no means new. It is, briefly, that even in the Republic , where the views on art which Plato propounds are notoriously unsatisfactory to the modern mind, this unsatisfactoriness is not due to any lack of aesthetic sympathy on Plato's part, but on the contrary to what is almost an excess of it. The position as far as I can understand it is this: the true (...)
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  12.  3
    Human Aims in Modern Perspective: Outlines of a General Theory of Value with Special Reference to Contemporary Social Life and Politics.Van Meter Ames & D. W. Gotshalk - 1968 - Journal of Aesthetics and Art Criticism 27 (2):236.
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  13.  1
    Man and the metamorphoses of modern social reality.D. T. Lolaeva & Ya I. Sanakoeva - forthcoming - Liberal Arts in Russia.
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  14.  61
    Art Forgery: The History of a Modern Obsession.D. Hudson Hick - 2012 - British Journal of Aesthetics 52 (4):427-430.
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  15.  80
    Art Forgery: The History of a Modern Obsession. [REVIEW]D. H. Hick - 2012 - British Journal of Aesthetics 52 (4):427-430.
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  16.  12
    Sign Levels Synopsis.D. S. Clarke - 2018 - Contemporary Pragmatism 15 (1):95-151.
    This Tractatus-style sequence of propositions describes logical features of natural language discourse, pre-linguistic levels of signs interpreted in associative learning and animal communication, and the specialized discourses of the institutions of science, religion, law, politics, and the arts. Its comprehensive scope is designed to help overcome the compartmentalization of philosophy into its branches of epistemology, ethics, political philosophy, and aesthetics. The general perspective is that of pragmatic naturalism as developed by the classical pragmatists Peirce, James, Schiller, and Dewey. Central to (...)
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  17.  6
    Letture dell'informe: Rosalind Krauss e Georges Didi-Huberman.Andrea D'Ammando & Matteo Spadoni (eds.) - 2014 - Roma: Lithos.
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  18.  40
    The Concept of a University.D. W. Hamlyn - 1996 - Philosophy 71 (276):205 - 218.
    To those who think that an institution must be a function of its history it must seem a considerable anomaly that when universities were first set up in the Middle Ages their main aim, apart from being communities of scholars, was to produce theologians, lawyers and doctors of medicine. For arts and what then had some connection with what we now know as science, as incorporated in the traditional seven liberal arts of grammar, logic and rhetoric, followed by arithmetic, geometry, (...)
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  19.  5
    The metaphysics of transcendental subjectivity: Descartes, Kant, and W. Sellars.Edward D'Angelo - 1984 - Amsterdam: B.R. Grüner.
    The general topic of this book is the metaphysics of the subject in Kantian transcendental philosophy. A critical appreciation of Kant's achievements requires that we be able to view Kant's positions as transformations of pre-Kantian philosophy, and that we understand the ways in which contemporary philosophy changes the letter of Kantian thought in order to be true to its spirit in a new philosophical horizon. Descartes is important in two respects. One the one hand, he institutes a philosophical movement which (...)
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  20.  9
    Love and the postmodern predicament: rediscovering the real in beauty, goodness, and truth.D. C. Schindler - 2018 - Eugene, Oregon: Cascade Books.
    The computer has increasingly become the principal model for the mind, which means our most basic experience of ""reality"" is as mediated through a screen, or stored in a cloud. As a result, we are losing a sense of the concrete and imposing presence of the real, and the fundamental claim it makes on us, a claim that Iris Murdoch once described as the essence of love. In response to this postmodern predicament, the present book aims to draw on the (...)
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  21.  31
    Black bronze and the 'Corinthian alloy'.D. M. Jacobson & M. P. Weitzman - 1995 - Classical Quarterly 45 (02):580-.
    Two recent studies by A. R. Giumlia-Mair and P. T. Craddock have been devoted to a form of bronze having a blackish tint.1, 2 The authors there describe examples ancient and modern, from as far apart as Mycenean Greece, Egypt, Rome, China and Japan. In Japan such bronze is prominently represented in decorative art and known as Shakudo.
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  22.  8
    Black bronze and the ‘Corinthian alloy’.D. M. Jacobson & M. P. Weitzman - 1995 - Classical Quarterly 45 (2):580-583.
    Two recent studies by A. R. Giumlia-Mair and P. T. Craddock have been devoted to a form of bronze having a blackish tint.1, 2 The authors there describe examples ancient and modern, from as far apart as Mycenean Greece, Egypt, Rome, China and Japan. In Japan such bronze is prominently represented in decorative art and known as Shakudo.
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  23.  5
    A exemplificação na arte: um estudo sobre Nelson Goodman.Carmo D'Orey - 1999 - Lisboa: Fundac~ao Calouste Gullbenkia a Tecnologia Ministerio Da C.
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  24.  8
    A Robert Spaemann Reader: Philosophical Essays on Nature, God, and the Human Person.D. C. Schindler (ed.) - 2015 - Oxford, United Kingdom: Oxford University Press UK.
    The German philosopher Robert Spaemann is one of the most important living thinkers in Europe today. This volume presents a selection of essays that span his career, from his first published academic essay on the origin of sociology to his more recent work in anthropology and the philosophy of religion. Spaemann is best known for his work on topical questions in ethics, politics, and education, but the light he casts on these questions derives from his more fundamental studies in metaphysics, (...)
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  25.  24
    Humanistic psychology as "the other": The marginalization of dissident voices within academic institutions.Scott D. Churchill - 1997 - Journal of Theoretical and Philosophical Psychology 17 (2):137-149.
    Explores both the place and displacement of humanistic psychology within institutional contexts ranging from private liberal arts colleges to professional organizations like the American Psychological Association. First, from the perspective of social constructionism, we present the function and marginalization of humanistic psychologists within American academic psychology. Next we consider, from the perspective of A. Schutz's social phenomenology, humanistic psychology's place within academic psychology as "the stranger," both in terms of the fundamental incongruence of "traditional" versus "humanistic" psychological relevance systems and (...)
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  26.  15
    English art critics and modern social radicalism.Donald D. Egbert - 1967 - Journal of Aesthetics and Art Criticism 26 (1):29-46.
  27.  7
    Foucault and the Critique of Institutions.John D. Caputo & Mark Yount (eds.) - 1993 - Pennsylvania State University Press.
    The issue of the institution is not addressed systematically anywhere in the literature on Foucault, although it is everywhere to be found in Foucault's writings._ Foucault and the Critique of Institutions_ not only interprets the work of Foucault but also applies it to the question of the institution. Foucault is a master at analyzing the web of social relations that effectively shape the modern individual. While these social relations are smaller and finer than institutions, institutions are, by Foucault's account, (...)
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  28.  31
    al-Nakbah: al-ḥadāthah.Samīr Murād - 2020 - ʻAmmān: Dār Yāfā al-ʻIlmīyah lil-Nashr wa-al-Tawzīʻ.
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  29.  8
    Euphemisms of the thematic group “warfare” in modern British periodicals.E. D. Zaitseva - 2018 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitarnyj Zhurnalrossiiskii Gumanitarnyi Zhurnal 7 (1):30.
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  30.  40
    Understanding problem in contemporary hermeneutics.D. V. Varygin - 2012 - Liberal Arts in Russia 1 (1):67.
    Some problems of modern hermeneutics are considered in the article. The hermeneutic practice and theory are correlated with insufficient elaboration of the latter. Rational and irrational hermeneutics are established. To understand the meaning of the text it is necessary to overcome the author’s subjectivity and the language imperfection. The author outlines the main features of the hermeneutic logic and its non-classical character. The hermeneutic truth depends on the position of the author and not just on the objective reality. Importance, (...)
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  31.  7
    Jubelåret og odelsretten: Om naturalisering av eiendomsrett og arverett.Runar Døving & Jon Schackt - 2020 - Slagmark - Tidsskrift for Idéhistorie 82:71-89.
    The rights concerning ownership to, and inheritance of, property are generally looked to as natural and taken for granted. In this article we ask why the rights of inheritance usually priorities consanguine bonds and how this arrangement originated. As rights to property and inheritance was non-existent or only of minor importance in ancient hunter and gathering societies, we assume that these phenomena arose or became socially significant only with the development of agriculture and livestock breeding. In different agricultural societies the (...)
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  32.  20
    Histoire de la Folie à l'Age classique. [REVIEW]D. C. - 1963 - Review of Metaphysics 17 (1):144-144.
    An exhaustive, exhausting, difficult, and inspired history of the cultural experience of madness, from the late Middle Ages to the early Nineteenth Century. Foucault immerses himself in the actual evidences of the phenomenon of madness: literary and dramatic works, records of governments, hospitals, prisons, and religious institutions, and the expressions of philosophers and sages. The history of madness is the history of the gestures that define it-confinement, punishment, neglect, therapy. Foucault's final statement of the antinomies and the debilitating impoverishment of (...)
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  33.  24
    Olympic Victors Olympic Victor Monuments and Greek Athletic Art. By Walter Woodburn Hyde. One vol. Pp. xix + 406. 30 Plates, 2 Plans, and 80 Text-figures. Washington: The Carnegie Institution of Washington, 1921. [REVIEW]D. S. Robertson - 1923 - The Classical Review 37 (3-4):74-75.
  34.  12
    Xadrez com morte.Roberto D."Arte - 2021 - Desleituras Literatura Filosofia Cinema e outras artes 1:12-14.
    A humanidade tem sido tomada por angústias tão sutis que, aos poucos, vai se dissolvendo – física e psicologicamente – como se estivesse sendo consumida de dentro para fora. Neste sentido a saída – ainda que imediata e provisória – é propor um jogo de Xadrez com a morte. Não à toa Ingmar Bergman escolhe o Xadrez como a forma da sua personagem desafiar “alguém” tão poderoso. O jogo é um chamamento à razão, à luz capaz de organizar as ideias (...)
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  35.  9
    Por que os sonhos não envelhecem?Roberto D'arte - 2021 - Desleituras Literatura Filosofia Cinema e outras artes 5:18-21.
    Em 2022 teremos uma celebração muito especial para a Música Popular Brasileira. O icônico disco “Clube da Esquina”, de Milton Nascimento e Lô Borges, completará 50 anos de lançado. O álbum apresentou ao mundo mais do que o resultado de uma parceria musical de rara beleza; ele foi uma espécie de marco zero de um movimento artístico e existencial nascido na bucólica Belo Horizonte da segunda metade da década de 1960, envolvendo amigos, música, cinema e literatura.
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  36.  8
    John Keating em tempos de aulas remotas.Roberto D'arte - 2021 - Desleituras Literatura Filosofia Cinema e outras artes 3:30-33.
    Quando assisti pela primeira vez a “Sociedade dos Poetas Mortos”, em 1989 (ano de lançamento no cinema), a história protagonizada pelo saudoso Robin Williams me comoveu profundamente. Naquela época eu caminhava rumo aos meus 20 anos, quando a vida ainda parece uma areia movediça e o futuro, uma eternidade. Eu ainda estava na Faculdade de Filosofia da UFBA, em Salvador, preparando-me para ser professor.
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  37.  17
    A Problem-Solving Approach to Addressing Current Global Challenges in Education.Judith D. Chapman & David N. Aspin - 2013 - British Journal of Educational Studies 61 (1):49-62.
    This paper begins with an analysis of global problems shaping education, particularly as they impact upon learning and life chances. In addressing these problems a range of philosophical positions and controversies are considered, including: traditional romantic and institutional views of schooling; and more recent maximalist, neo-liberal, emancipatory and post-modern-perspectives of lifelong learning. In this paper we argue that these do not represent 'the last word' on the provision of learning and the enhancement of life chances and instead we put (...)
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  38.  5
    Lobos, inocência e anticivilização.Roberto D'arte - 2021 - Desleituras Literatura Filosofia Cinema e outras artes 7.
    Revendo recentemente o ótimo filme “A Vila”, do diretor indiano M. Night Shyamalan (o mesmo diretor de “O Sexto Sentido”, “Corpo Fechado” e “Sinais”), é possível entender os motivos que levaram os fundadores do vilarejo fictício a criar um mundo à parte para as futuras gerações. O filme, de 2004, é inserido no gênero “suspense” por conta de sua história central em torno de uma lenda sobre criaturas aterradoras que vivem na floresta. Estas são o empecilho para que os moradores (...)
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  39.  3
    Os livros nas fogueiras dos novos inquisidores.Roberto D'arte - 2021 - Desleituras Literatura Filosofia Cinema e outras artes 4:23-25.
    Desde que foram criados pelos sumérios há mais de 5 mil anos, os livros sempre aterrorizaram os ocupantes do topo de quaisquer formas de poder. Neles estiveram e continuam sendo guardados os sonhos, as ideias, os projetos e as ações da humanidade em todas as vertentes possíveis, sejam eles libertadores e instigantes para as transformações positivas do mundo e do próprio ser humano, sejam eles os caminhos opostos da destruição e da opressão. [...].
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  40.  6
    Yarsumāni wajh al-kawn.Riyāḍ ʻAwaḍ - 2016 - Bayrūt: Dār al-Fārābī.
  41.  77
    The burning fuse model of unbecoming in time.John D. Norton - 2015 - Studies in History and Philosophy of Science Part B: Studies in History and Philosophy of Modern Physics 52 (Part A):103-105.
    Please imagine a long fuse hanging down from the ceiling. It is a carefully woven tube of fabric that holds a core of gunpowder. We note that it is beautifully made, with brightly colored threads intertwined with the coarser bare cotton. It a masterpiece of the modern weaver's art.
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  42.  29
    To the basics of modern political anthropology: Freedom and justice in the social contract theory of T. Hobbes.L. A. Sytnichenko & D. V. Usov - 2020 - Anthropological Measurements of Philosophical Research 17:76-87.
    Purpose. The purpose of the study lies in critical reconstruction of Thomas Hobbes’s social contract theory as an important principle not only of modern political anthropology, but also of modern and postmodern social projects. As well as, in the unfolding of the fundamentally important both for the newest social-philosophical and philosophical-anthropological discourses of the thesis that each individual is the origin of both personal and institutional freedom and justice, making the contract first of all with himself, with his (...)
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  43.  15
    Two metaphysicians: D.h. Lawrence and Martin Heidegger compared.Colin D. Pearce - unknown
    This paper will proceed from the assumption of scholars like Anne Fernihough, Peter Fjagsund, Michael Black, and Michael Bell that there are sufficient connecting links between the literary oeuvre of D.H. Lawrence and the philosophizing of Martin Heidegger that they warrant consideration in each other's company. The paper will attempt to provide more evidence for what these scholars have been contending. It seeks to make the case that although D.H. Lawrence and Martin Heidegger start from very different beginning points, the (...)
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  44.  19
    Comic Laughter. [REVIEW]D. C. - 1963 - Review of Metaphysics 17 (2):310-310.
    Explaining and classifying attitudes and art forms related to comic laughter, Swabey defends the kind of comic laughter which perceives the laughable as less than the perfect and true. Bad or false pretenders to "comedy" or humor, e.g., apparently all modern art reputed to be comic and playful, are rather bitterly scolded. The thesis might have been more credibly argued if more positive examples had been used.--C. D.
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  45. The Pornotrope of Decolonial Feminism.Selamawit D. Terrefe - 2020 - Critical Philosophy of Race 8 (1-2):134-164.
    This article argues that María Lugones's articulation of decolonial feminism, as a theory and potential political praxis, both disappears Blackness and subjugates African American women—their scholarship, their language, and the materiality of their Black “flesh”—within the same subordinate position the coloniality of gender decries. Expanding Hortense Spillers's concept of “pornotroping,” this article puts into relief the ideological and rhetorical investments in deploying the figure of the Black woman to institute an argument about gender, but only to erase this figure from (...)
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  46.  14
    Aspiring to Fullness in a Secular Age: Essays on Religion and Theology in the Work of Charles Taylor.Carlos D. Colorado & Justin D. Klassen (eds.) - 2014 - Notre Dame: University of Notre Dame Press.
    The essays in this volume address crucial questions about the function and significance of religious accounts of transcendence in Taylor’s overall philosophical project; the critical purchase and limitations of Taylor’s assessment of the centrality of codes and institutions in modern political ethics; the possibilities inherent in Taylor’s brand of post-Nietzschean theism; the significance and meaning of Taylor’s ambivalence about modern destiny; the possibility of a practical application of his insights within particular contemporary religious communities; and the overall implications (...)
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  47.  21
    Dialogues on mathematics.Alfréd Rényi - 1967 - San Francisco,: Holden-Day.
    This book discusses in dialogue form the basic principles of mathematics and its applications including the question: What is mathematics? What does its specific method consist of? What is its relation to the sciences and humanities? What can it offer to specialists in different fields? How can it be applied in practice and in discovering the laws of nature? Dramatized by the dialogue form and shown in the historical movements in which they originated, these questions are discussed in their full (...)
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  48.  22
    The Way beyond 'Art'. [REVIEW]W. S. D. - 1959 - Review of Metaphysics 13 (2):356-356.
    In 1947 Professor Dorner published The Way beyond 'Art'--The Work of Herbert Bayer. That book was one-half a series of startling generalizations dealing with the development of the visual arts, mind and nature, and one-half a series of perceptive and interesting insights into the work of the modern artist-designer, Herbert Bayer. In this posthumous, revised edition, the half dealing specifically with Bayer is omitted. What remains is Dorner's unusual history of art, which traces the dissolution of three-dimensional reality and (...)
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  49.  6
    Progress.S. D. Chrostowska - 2021 - Common Knowledge 27 (2):262-279.
    This article begins from the assumption that what was once an integral dimension of progress—the development of literature and of art more generally—now lies outside its scope. The essay falls into three parts that juxtapose French with German intellectual history. The first part examines the notion of literary progress developed by Charles Perrault and Fontenelle, as well as the opposition to it by Boileau and other antiquarians, during the querelle des Anciens et des Modernes in the later seventeenth century. The (...)
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  50.  5
    A solidão dos astros.Roberto D'arte - 2021 - Desleituras Literatura Filosofia Cinema e outras artes 3:26-29.
    Ainda que possa ser visto como clichê sob diversos aspectos, o filme “O Céu da Meia-Noite” (dirigido e protagonizado por George Clooney para a Netflix) traz temas reflexivos na perspectiva existencial. Lançado em dezembro de um ano doloroso para a humanidade, ele teve as suas gravações encerradas pouco antes do início da pandemia, ainda que traga uma atmosfera tão soturna quanto a deste momento histórico.
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